The redesign of the Great Court is undoubtedly a unique masterpiece. The shock put me on further thinking of how the spectacle in the front is achieved. First, symmetry makes a huge statement. Broad staircases on the central of two sides and spreading net-like blue roof equally dominates the space. Small details amazed me when I saw even the handrails are subtly symmetrical. Right side shows negative space with the form and shape can be functioned as a handrail whereas left side demonstrates the physical object. It inspires me in some ways perhaps “the object” doesn’t need to be shown obviously.
Roof is composed of 3,312 glass of panels and each panel is donated by either visitors or members of the museum. Many panels are in the purpose of commemorating someone they loved so that if they look upon the roof, they will have a moment to think of them. The meaning behind the beautiful glass is even more profound than what it is see on the surface. As our tutor often telling us, “every steps you take they must be a reason”.
Stairway and handrail in The Great Court (1)
Stairway and handrail in The Great Court (2)
I chose Chinese Ceramics Collection to spend time on because my project is an immersive experience of tea journey. A lot more research that is required on what clay can be produced until this visit which solved the question for me. Earthenware, stoneware, and porcelain are the names of 3 different forms of potteries. They can be categorized by different firing temperature and the fineness of clay. How magical that a single material can diversify into various possibilities.